Seattle P-I April 23, 2004
by Regina Hackett
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Seattle Weekly April 14, 2004
by Elise Richman
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The Stranger April 4, 2004
Mandy Greer's Fairy Tale
by Emily Hall
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The Stranger Jan 29, 2004
by Emily Hall
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The Stranger September 10, 2003
by Emily Hall
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Seattle P.I.
FINE ARTS
By Regina Hackett

Friday, April 23, 2004

Priceless Works gallery lives up to its name with this month's two-artist exhibit

In less than a year, operating out of a down-an-alley gallery in Fremont, Regan Peck's Priceless Works has become indispensable. It's where you go to see art on the margins that's better than most of what passes for mainstream in Seattle.

This month is especially good: Francesca Berrini's deranged map collages and Mandy Greer's lavish installation, "The Wolf Prince and the Parrot Princess."

I don't like maps. They don't work for me. Maybe because Berrini's maps don't work for anybody, they come as a relief. To make them, she cuts real maps into tiny squares and rearranges their contents into the suggestion of places that don't exist but easily could.

There are deserts swelling to a lushly brown convexity that no one can be lost in, and lakes of deep blue that will never reflect moonlight. Stripped of their ordinary code, these maps are lovely, dense and deeply eccentric.

The head of Greer's wolf prince hangs on the wall, drooling unraveling red lace. He wears the frill from grandma's dress as a neck ruffle, a fine touch he cannot see as he is blind, with coarse black stitching around his battered snout.

Welcome to Greer's fairy tale, where bad taste acquires a magically elegant charge. Both the pompom chandelier and the rag rug beneath it are radiant, while the parrot princess in sequins, plaids and green leather, looks ready for the runway life.

Through May 2 at Priceless Works, 619 N. 35th St.,
info@pricelessworksgallery.com.
Hours: Thursdays-Sundays, noon-6 p.m.
CONTACT: info@pricelessworksgallery.com
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